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THE PRINCESS AND THE FROG: A CHRISTMAS CAROL


shines its light and diaphanous, the last great movie weblog anachronistic and Disney. There sits in the lounge, the lights go out, lie in a mammoth bowl a mountain of popcorn and then when the magic begins not let up. There on the screen a decades old story, embellished with sumptuous colors, beautifully-dimensional drawings and able to drag songs in a wild dance even the most staid bureaucrats. As per tradition the tears out there, as well as love and dreams, in short, the Usually Disney. Why so much enthusiasm? Simple, was the time of Home on the Range that the production house of the mouse with big ears, had abandoned the traditional design in favor of digital. Since then, the movie screen was made smaller, invaded by orcs ruttanti, animals on the run, vigorous chicks dogs and superheroes. It took John Lasseter (Pixar's parent) to return to vibrate the beauty of two-dimensional design, strange to think that the proponent of this regression is necessary, the father of the digital revolution. Attending to the vision of The Princess and the Frog is a magical experience, a journey through time, an act of rebellion, anarchy, of civil protest. Join the excitement and let go her arms dell'alligatore Louis with a passion for the trumpet, Ray firefly in love with a star, the beautiful Tiana and her Prince Naveen, will not regret it and in less than no time your eyes will be transparencies and clap your hands to the frantic pace of the song Mama Odie overwhelming. And your children? Well a little bit of each of them will be there on that huge screen, and that captured by its beauty, lost between colored charms, sweet kisses and dreamy melodies. Their eyes will remain hostage to the evil Facilier and the greatest of all magic, a spell that gets you in and eats the soul, forever. A spell called Cinema.

THE PLOT IN TWO WORDS

Prince Naveen is transformed into a frog by the evil Facilier. Only the kiss of a princess can break the spell.

THE SCENE THAT IS THE FILM

All the musical numbers. Over all, the song Mama Odie, simply by applause.

ANGLE CONCEPTS intriguing

The two directors have directed such masterpieces as The Little Mermaid and Aladdin.

John Lasseter is now head of Disney ... if a good day starts in the morning, I would say that we can sleep soundly.

The Princess and the Frog (The princess and the frog, USA 2009) Directed by Ron

Clemens, John Musker

VOTE
If you 00 to 13 years: A beautiful, 9
If you have 13 to 20 years : Beautiful, but it's a cartoon ..., 7
If you have 20 to 30 years: Fair, 7
If you have 30 to 40 years: A beautiful, 9
If you have up to 40 years : Moving, 9

Icest Gay Son And Father

Magic: Beautiful


Marley was dead to begin with. A corpse in a coffin, two coins on the eyes, a handkerchief to his jaw tighten. Then enters Scrooge, ever so old, nasty, nasty, sharp. The snow begins to fall. E 'on Christmas Eve and the story takes off to heights of unimaginable high purity. Difficult to find a more sombre start to a movie for kids, not developed it with such ferocity and with such inqueitante stunned terror. Zemeckis decided to follow the story of Dickens without discount and without cuts, frescoed above all a great and at times gruesome ghost story. Unable to leave the room without thinking about concepts such as charity, ignorance and poverty, groped in vain indifferent to resist the call of our conscience, awakened by the message of the film. Yes, because for once the story of Scrooge is so well done, to make us feel the weight of the chains of Marley, the Cratchit house heat of the fire and frost in the desolate heart of Ebenezer. No winking, no jokes out of place, but an overwhelming and contagious spirit of Christmas. Leaving the room reigns almost everywhere the snow, ice wraps his limbs and missing four days at Christmas. That's fine. A smile spreads on my face numb. May God bless us. Each one of us.

THE PLOT IN TWO WORDS

The story of Ebenezer Scrooge and the three spirits as they changed life in a Christmas Eve many years ago.

THE SCENE THAT IS THE FILM

The macabre beginning ... the ending.

ANGLE CONCEPTS intriguing

If Jim Carrey does not need any introduction, but I like to remember some of his memorable films. Of all those I loved most is the hilarious Dumb and Dumber, the brilliant The Thruman Show and Man on the moon moving where Carrey gives a performance worthy of Oscar 1000. I conclude this series with the beautiful Eternal Sunshine of a Spotless Mind (in Italian If Spotless Mind ) Beautiful love story with a very talented Kate Wislet. Robert Zemeckis, for the uninitiated is director of the saga of Back to the Future (which has marked my film indelibly maturation) of Who Framed Roger Rabbi you to Forest Gump.

VOTE
If you have 00 to 13 years: A beautiful, 9
If you have 13 to 20 years, Figo, 8
If you have 20 to 30 years: Fair, 7
If you have 30 to 40 years: Amazingly, 8
If you have 40 years or more: Beautiful, 7

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Surrogates: The salad reinforcement


the Neapolitan tradition, reinforcing the salad is a dish made with cauliflower, served during Christmas Eve dishes alongside well most important and substantial. Used to "eat fat", but considered essential as a reinforcement to the Christmas delicacies. In addition to the cauliflower, our salad is completed with various pickles and pickles. The Surrogates (Surrogates in the original) is the cinematic equivalent of the salad in question. Released close to Christmas (just after New Year) is the film trailer as well important and revelers. Not only that, set in a questionable future, I Robot mixes happily with Robocop, Escape from Los Angeles Blade Runner and the inevitable . Do not ever deepening and passionate, remaining stubbornly at the surface, with the sole purpose of being forgotten as soon as the vision. A worthless efforts of a Bruce Willis a little imbolsito and professionalism of a small part Ving Rhames is intended to become invisible in production laughable. A few special effects, many leaks, hit a couple scenes, a great deal of futuristic weapons and the embarrassing slip into a series of choices telefonatissime are the ingredients of this salad doubt reinforced rather indigestible, suitable for unsophisticated palates and stomachs ready for anything. If this is the future of science fiction ... better then the cauliflower.

THE PLOT IN TWO WORDS
I n the future, we hope away, humans interact with robots surrogates. The death of a boy set off a series of dramatic events.

THE SCENE THAT IS THE FILM
Although they have also understood the stones, the finaletto is not without charm.

ANGLE CONCEPTS intriguing
Radha Mitchell (Mrs Bruce Willis) was the star of the beautiful Silent Hil l Bruce Willis, while not needing any introduction, we remember him for giving life to the policeman "hard to die, "John McLane and a series of films from the fluctuating value. Of all remember with pleasure Pulp Fiction (the bow is a must), Blind Dating (hilarious), The 12 Monkeys ( beautiful), Hostage (sottovalutatissimo) and my very own personal masterpiece Last Boy Scout .

VOTE
If you have 00 to 13 years: Not bad, 7
If you had 13 20 years: Fighissimimissimo, 9
If you have 20 to 30 years: Fair, 7
If you have 30 to 40 years: As soon as sufficient, 6 -
If you have 40 years and over: Weak, 5

The Surrogates (Surrogates, USA 2009) Directed by Jonathan Mostow

With Bruce Willis, Radha Mitchell, Ving Rhames

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PARANORMAL ACTIVITY: The art of not showing


Prior to the release, this film was already a case. It is said that the good Stephen Spielberg, came into possession of the film, failed to see it at night, but had to wait for the dawn. The clever promotional campaign on the Internet, based on a simple petition (you that are interested in film? Ask to be screened in a room of your city), has earned the acceptance epoch, generating wait unprecedented. With a mechanism that closely resembles The Blair Witch Project (for this writer, an absolute masterpiece) then come here in Italy Paranormal Activity. Immediately clean the area from embarrassment, it is a great film, based on a mechanism of fear, really brilliant. As mentioned in the Blair Witch , again lead the way for effettacci are not blood, guts and offal, but the expectation and imagination. Starting from a simple premise and rather trivial (a couple, she feels "persecuted", he decided to film everything that happens with a camera), the film flies high and miracles, revealing his cards a little at a time, before nuances of working and then treading on her foot the 'accelerator of terror. The real added value of a film like this is exactly what not to show evil digital entity, costing millions of dollars, but to focus on sounds, expectations and disturbing sensations. The human mind is a wonderful tool, often alone works wonders, can not therefore difficult to understand how one is more scary a film full of charm and shade, rather than one where everything is visible and shown in the foreground. Our minds are in fact, works by filling those gaps and filling them with things more terrifying than you can imagine. It worked for The Blair Witch Project and works a treat for Paranormal Activity , creating a real roller coaster of fear. The amateur footage seeds have twice the honor to cut costs and increase enormously the identification. This and more make Paranormal Activity a scary movie, an experience prepared, a breath of pure happiness for all fans.

THE PLOT IN TWO WORDS
She is persecuted, he decides to shoot more ... there will be some problems.

THE SCENE THAT IS THE FILM
at some point the two uncover a movie on the internet .... brrrrr

VOTE
If you have 00 to 13 years: Absolutely not, nc
If you have to 13 20 years: so cool, 8
If you have 20 to 30 years: Fair, 7
If you have 30 to 40 years: Very nice, 8
If you have 40 years or more: Please, 4


Paranormal Activity (USA 2009) Directed by Oren Peli

With Katie Featherstone, Micah Sloat

Watching Yourself Masterbate

A thought for George Robert

What I'm writing here, from Bologna, was the result of a set of emotions that are through my emotions. I recently learned of the sudden disappearance of my beloved countryman Roberto Giorgio, died of a damn car accident. I therefore feel compelled to spend two lines, and not a few tears for this wonderful person taking the burden of representing those who knew him and appreciated. It is not his "former mayor of Chieuti" to honor him, but the life story of a man too honest for this life. George, I dare say, was not part of this infamous and selfish society and the values \u200b\u200bwhich inspired values \u200b\u200bwere much more noble than that we are often able to think. A man from another era, this would be the appropriate name for someone so noble that had never failed to bring the "you" to anyone and that even in moments of anger he dared not say too much in an abusive or reckless. The Sig.Ruberto George was a man of class and class must be remembered:

"You were among the few that was truly interested in our country now abandoned to decay. He loved politics, history, archeology, literature, culture Arbereshe ... loved the culture, loved the great ideals that unfortunately no longer belong to this second half of the century, dominated by false and unworthy interests and pressing needs. Your love for these fields was not only empirical but mixed with a tertiary education that few understand and understand. Your higher education was its natural habitat in feelings such as: equality, compassion and solidarity. Are there really this much celebrated God, I hope that you reserve a better place that others do not deserve. Maybe one day we will eat again your fabulous pizza with onions that you loved so much.

" Life is like a comedy: no matter how long, but as it is recited. " Seneca

Goodbye George. "

I would turn his condolences to the respectable wife Eleanor and children for the death of a great man, husband, scholar and friend of me and my family, Anna Rosati, Pasquale Barile and his good friend Antonio Barile.

friends forever in the life and death.

                                                                                                                                         Giuseppe Barile

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lesson of psychoanalysis. No, no questions, free text. Tell me the scariest picture you can imagine.
Sun.
The sun burns if you eat it.
Sun in ancient images have eyes, but the expression indifferent. He is painted in yellow, but it is not. It's huge, and powerful. On him depends the life on earth. I'm afraid of him.
Four letters, in English and English three. Basic concept, a tribute to our obvious dependence.
You can not look at the sun, or stay blind.
irradiance. You can even die.
is a ball of fire, the animals are afraid of fire, and if I fell on his microscopic piece?
Semele asked Zeus to show himself to her in all its power, the incinerated and Jupiter with its brilliance.
the sun should be calm, but the tiger in the sun is deadly.
The sun is depressing. The sun
child, chubby ... I hate the sun! The Sun's victory, the male element (why?) Force. As if there were already too many icons.
Heavenly Body Glow, dangerous.
Burns.
Horrible sun, black sun, sick sun, sun radiation.
The world is quiet until the sun is shining, the children play in the sun. The sun on a lawn, maybe tangent angle and shine the green and yellow. But I was left in the sun.
Guys here we go off topic.
Tell me the most frightening image that comes to mind.
The sun!
the sun join a deafening gong. Yes, deafening and blinding as he is hot, the sound is killing me.
dream of a huge sun, which covers the whole horizon. At night the earth got too close, and now we no longer know where to look, the sun is everywhere.
Icarus and his wings of wax.
Lucifer the sun falls toward the black earth, and then down with stones.
Damn the sun. How many are there?
The sun is as mysterious as everything else, but it's all hidden in his face clear. It has no dark side out of his mind. It is a macabre but bright object, so subtle.
normal to be afraid of the sun.
The sunlight does not change the features of the devil.

Wrestling Lesbian Miosotis

The importance of greek thought in medieval theology

Before we discuss Christianity we must stop and make some considerations. The Christianity of the early high Middle Ages was a collection of notions, beliefs and faiths to identify more closely in a more "Christian". Why the church was concerned to formulate a doctrine to be given to increasing the faithful who came to this new religion. By this time the Hellenistic element of the populations of the East had a lot of value in the early medieval theological disputes. The theme of

death and resurrection of a god, even myth of Eastern religions in the West had ceased to be a symbol to become reality. God was no longer outside the story but also had transfigured by his coming and his death on the cross to save humanity and the Christian God was born to a mother of flesh and had suffered his own flesh. From these considerations that created a "religious scandal" is left to formulate a precise theological basis that it acknowledged the existence of one God from eternity, whose first and only did not allow rivals. This from the political point of view was also an attempt of unification of all the faithful under one body, that of religion, which sometimes cover Imperial deficiencies. The thought greek significantly influenced the formulation of a new theology that saw the heart of their doctrinal debates the issue of Marian, with speeches on the legality of use of the term "Theotokos" as the name of Mary, but especially the Christological, which had as its theme the dual nature of Jesus Christ. In fact, the educational philosophy metaphysics on the 'can not be not "refer to the Trinity and the relationship between Father and Son, had great significance of the great conciliar disputes (remember the dispute between Cyril, monophizite, and Nestorius). The problem was to define the nature of Christ trying to keep in mind that while it was God had made man on the other hand, had suffered and died on the cross. At a time when religious enthusiasm was very strong this type of discussion favored a marked and dangerous intolerance that resulted in a tight battle between a Monophysite and Nestorian.

All this in a climate, the early Middle Ages, anxiety and "pessimism saving" proposal, biblically, from the great desecration of Adam, and historically, the disintegration of the classical vision of the Hellenistic-Roman world . The angst was felt with an intensity hitherto unknown and in order that the atonement had regenerative effect that remedial action was needed to equal sin to cancel. It is therefore necessary that God himself, incarnate, sprinkling the blood of his Son Jesus Christ to make universal redemption and worthy offense went. The man himself would not in any case not remedy and repair the work unworthy of Adam.

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The Sun Never For Ever


Ever and always, two categories child immediately damped by neomediocrità (the ergonomics, pseudo-maturity, progress-boo, the new company), sometimes returning sensitive in the brain. Why
, Despite always force us all to think that the truth lies somewhere in between and so on. etc.., for ever and never are two categories concretissime albeit extreme.
Thermodynamics almost always exclude them, but in life (which is another, although it can be explained by thermodynamics in its decisive traits) exist.
What matter if the objective is to put us under a 'quasi' in front. Tomorrow will also change the adverbs, for sure, this universe is rancidity, as they age. But the message remains: there forever and ever.
It was said that these are the categories 'childish' (combine so much trouble, do not stop just never - always singing a song - C. D'Avena), and this is a simplification. Should not mislead the presence of the new in the speech. Children in fact, that the new incarnation is the most obvious, are never so innocent rise to process indicators. Can not be guardians of blind trust in the ever and ever. The children, Mediaset and do not take it, are aware of adults manure monstrous hypocrites, and their use for ever and ever is only a reflection of a scoundrel. Children do not really believe in forever and ever. They are adults who are ashamed to admit that we believe (but why, if they exist?), Then they do say to D'Avena to their babies obtuse.
Adults, enough with the dishonesty: the recovered innocence, instead of raising children and horrible to update a genetic defective, updated vocabulary, and maybe even the furniture, clothing, machinery or mobile phone. So your anxiety will infect only give your living room or in your pocket.
you forever and never use for fear of getting old. But fear not, choose the good old youth from ruin. You are not its victims: young or young you are always without having to re-sort.
Yeah, I'll be forever.

Picture me and then you start watching,
Watching forever, forever, Watching love grow
, forever,
Letting me know, forever.

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The "Witches of Nogareto" - Minutes inquisitorial

Following are told the witch trials of Nogaredo (at approx. 23 km from Trento and 75 from Verona).

all started in the year 1646 in the square of Nogaredo. Sunday Chemello Mercuria accused of theft and witchcraft as a result of this allegation, the two women were detained in the prisons of Castel Noarna.

Mercuria in turn was accused of witchcraft, and in interrogation, said that Sunday had been and his daughter Lucy to teach her how to become a witch ...

November 27, 1646 Today began the first trial witchcraft, to which I am involved in as chancellor. It 'still fresh grief for the death of my wife and Elizabeth, but I will do my best to be precise and zealous.
front of Mr. Juge Paris Madernino the jurisdiction of Castellano, the praetorian Nogaredo, occurred late in the afternoon Sunday Camelli widow, called Menegota. When asked what relationship he had with Maria Salvatori, called the Mercury, who once had told of a quarrel with her for a bit 'of hemp, which she, according to the prosecution of Mescuria, would have stolen.
She was asked if he attended the palace of the Counts of Lordon, said that there had been some time to bring the shrimp, but there was more often more frequently to ask for alms. He said he often went his daughter Lucia.
"Do you have a mark on the body?", Then the judge asked.
"No", replied, "if need be, I undress in your presence. But do not take me to these questions, because I am not the Morandina. "
" Why say that? "
" because everyone says that Morandina is an evil, but I do not know. "

November 29, 1646

Interview of Lucy, daughter and wife of Antonio Menegota Caveden. He said he be working in the fields and do linen at home.

"Where were you when they came to arrest me?"

"I was going to call my husband. The police tied my right arm with a rope and I cut the braids. I said then: 'I'm not a witch, by the grace of God' "

" Why did you say that? "

" Because I've heard that when the mercury was arrested, she was cut her hair. "

"You know the mercury?"

"I know her very well. And 'my enemy. "

" Did you never given an apple? "

" No, never. "

Lucia then told the story of hemp
" When I got home, my husband scolded me for having fought in public and gave me a lot of beatings. And all because of him. "


November 30, 1646
Day full of emotion. I'm still all upset.
Lucia was interviewed a second time has stubbornly denied that it gave the Mercuria that this apple, is intended to abort her ladyship Bevilacqua. He also denied that he helped the Mercury to bewitch Christopher Sparamani. But it took only a few whipping to make him confess. What he told fills me with horror. Lucia has confessed that, a year and a half ago, she was invited to the home of Sunday's widow Gratiadei Valentino, where he found the Mercury, intent on making a pot of ointment.
"What do you do?" Asked Lucia. "We want to Deck the Halls Mr. Christopher," he said, laughing. "And since I did not want to go with them," he continued, "I touched his nose, and I was forced to undress. I realized then that I became increasingly small, and that turned me into a cat. Any form of cat, we went to the home of Christopher, who was sleeping alone in his bed. Sunday and the Mercuria smeared from head to toe for good, but I did not want to help them. After half an hour we returned home on Sunday, which put on the table bread, cheese and a glass of wine. We sat down to eat and drink. They laughed met. "



Lucia's story has shocked even the judge, who seemed not able to understand certain things.
"At home on Sunday there was a man, and I seemed to have Gratiadei Antonio, but the Mercuria told me it was the devil. At one point, he embraced the Mercury and Sunday, but I do not. "
" It 's true that the devil has ever embraced? "
" It may be that he did it under the shape of my husband. "
" Have you ever been to the Congress of the witches? "
" I went several times with the mercury, and Sunday, with Morandina of Maran, and sometimes even with my mother. The devil in the form of man was always behind it led some players and even a singer. We danced and we were partying. "



At this point Lucia has made the terrible revelation that I was terrified. He said that Sunday, one day I was absent from home, she entered the kitchen and was put under the nose of my wife something. My wife is dead by that witch! But it will never see justice done for all these stuck in sand and my wrath will be appeased.
In so much pain, I have the satisfaction of having the favor on my side of Mr. Judge, who, on hearing the horrible news that Lucia has commanded to be subject to more severe torture. Lucy screamed like a beast. But what they do not deserve these damned! His mother is a witch: she accused herself.

December 2, 1646 Today, the sheriff Joseph Goriziano Gratiadei finally arrested Sunday, the murderer of my wife.
Lucia was questioned again, confirmed its previous statements and pleaded not to be tortured. Since I met you ingredients that were used to manipulate the ointment with which my wife was killed: common oil, fennel pesto, Ravano, garlic, powdered bones of dead to everything the devil has stirred some dust. Apparently, this ingredient must have been deadly.

December 3, 1646
Menegota questioning, the mother of Lucia. It 'seemed pale and weak. The depositions were submitted, made against her by her daughter Lucy and Mercury. He seemed surprised and insistently denied.
The court has set against his daughter, who he accused of taking part in the haunted Christopher. The old, after much thought, confirmed statements of Lucia, but added other nortizie, the judge had requested.

"I've been several times at the congress of witches. I especially one, which I attended twelve years ago at the home of Francis Delaiti, there was also a man dressed as a priest, who looked all over for Don Rinaldo, but it was the devil. "
E 'may represent the devil in the Sabbath figure of a priest is innocent? And if that was really Don Renaldo, can God allow his flock is contaminated to such an extent?

December 4, 1646
I finally laid eyes on Gratiadei Sunday, the murderer of my wife. It 'a woman's expression hard and bad. He denied having participated in the haunted Christopher. Confronted with Lucia, and turned pale. The court has placed the jars on the table and the bottles found in his house.

"Here," said Lucia, "in here you have prepared the ointment to bewitch Christopher."
Sunday said: "I wrongly blamed, do whatever you want, and if I do die, I will be unjustly convicted."

The depositions were read in the Mercury.
"Answer, therefore, say that they are true."
"Your worship," he said Sunday in a tone of lies that could not have been obvious to everyone, "write that I done, but I do not know of doing it. "

Here the torture was necessary to get her mouth from the truth. The judge did his duty, for which I will always be grateful.

December 5, 1646
Today hypocrisy and perfidy on Sunday proved to be so full. When the judge asked her to confirm what he had said yesterday, had the courage to disavow, claiming that the jars found in his house were used for the common uses. Lucy reproached that he was lying, and showing them some flour, said

"This is the powder that you used to bewitch the wife of Mr. Registrar. "
" This is flour, "said another," and it is not true that I have ruined the wife of Mr. Registrar, nor ever have been in her kitchen. "

Lucia reiterated that those were the ingredients for witchcraft . Sunday, shamelessly claimed that they were grains of wheat, for its part for the board, partly because of the chickens.
a violent quarrel then broke out between the two women, the judge wisely once again crushed by subjecting the murderer of my wife to some sections of rope.
Sunday we decided to confess everything and said terrible things and denounced others. Therefore, the sheriff ordered to appear before the judge to testify under oath to the following people: Maria Cecilia Sparamani and her daughter, son and Holy Peterlin Gratiadei, blacksmiths, Donato Beltrami, servant of Sparamani; Maistri of John the Baptist and his wife Catherine.

December 6, 1646
Cecilia Sparamani said this morning that his son Christopher will be subject to periodic bouts of epilepsy and have not earned the care of doctors to cure him. Recommended by very religious, and by the chaplain of the country, believed that the revenues, decided to send him to the Saint of Padua, but, since the roads impassable due to bad weather, had resulted in Brondolo, where the bishop had their fingers crossed.

"Now is Trent," he concluded, "Macario, where his father gave him some of his reports against the bills."
"Be suspicious of anyone?"
"No, not suspicious of anyone."
He also presented Giovan Antonio Ferrari, called Scarambea, and made the following statements:
"A few years ago I was bitten by a cow and a calf in a rather serious. But I never had any suspicions. "
" Neither Lucia Caveden? "
" I really do not know what to think of her. My wife told me the other day that Lucy was once home I pray that I wanted to take his child to baptism, and if I did, assured, I would be more dead cattle. "

December 7, 1646
Deposition Gratiadei Peterlin, lily St., around the haunted Christopher.

"Have you ever seen cats to the house?" Asked the judge.
"More than once," he said. "And although I tried to hunt, there have never succeeded. They always came back and were shouting and versacci. "

also suffered Sunday Gratiadei Today his third interrogation. Said he did not know any way how it was bewitched Christopher, but finally confessed that it gave the Mercuria the apple, that would have had to abort her ladyship Bevilacqua.

December 13, 1646
Lucia has made this statement:

"Sunday told me that the devil had given her a ring as a sign of the covenant, and showed me, there are some letters engraved above. But he also had another without stone, and with that has branded me here on my shoulder. "

The two rings that were shown were found in the house on Sunday. Lucia said that those were. Request of the witches of the oxen Scarambea, said he was function anointing cribs, and we described how.


December 17, 1646 This morning Lucy has done this horrific evidence. Sunday is also the murderer of Elizabeth,. With the help of his daughter's Welcome, a girl of seventeen, the old has prepared a salad of evil, which caused the death of my daughter. Sunday confirmed everything he had consecrated Welcome to hell, to have her induced to give up baptism and other sacraments, having prepared the salad evil. And when the judge asked her the way that bill was concocted, it was long and lingering with supreme indifference to describe that infamous dish, as if we had described the dish more delicious.

December 18, 1646
Lucia was questioned again. The judge doubted his sincerity, because it seemed to her that the charges were lavished with so much impudence charges, the result of personal animosity and hatred. It was sworn on the Gospels to have said the whole truth and claimed that he would also reconfirmed in torment. And so it has renewed its accusations against Welcome, Brentegani and daughter Isabella against Poland, against Holy Peterlin, against Delaito Cavaleri: all people dedicated to witchcraft, who more than once was in the sand, which was present at the manipulation of ointments evil, who has turned into a bestial form. Reconfirmed what had already been placed on the Communion wafers received from Mercury, but, taken perhaps from a scruple, pointed out that the ring is engraved with the lettre, of which 13 had spoken of the month, had not been delivered by the devil to Sunday, but the mother-in-law her, who was also a witch.
The judge irritated by its contradictions has made torture. The torture lasted for about ten minutes between shrieks and groans, while the torments he admitted that he had never been consecrated Hosts from the Mercury and does not know whether the Holy Peterlin had renounced baptism. The torture lasted for more on Sunday, perhaps half an hour. I have never heard such cries dele bestial but I have not moved. The old woman finally admitted that he had prepared the salad for my Lisabetta.

December 20, 1646
Welcome Gratiadei questioned the first time. She seemed sincere.

"What is your opinion of your mother?" Asked her.
"I have always been considered honest."
The court read the allegations of Lucia.
"It seems to me that he had never done those things. I was so, more than once in the company of girls and we laughed and danced, but I have no idea he had done nothing. Sometimes I was a young, I did not know, and danced with me. "
the judge threatened, I recommend tell the truth about this young man.
"My mother told me that it was the devil and that I should not be afraid of him. One day he applied to me on his shoulder a hot iron and my mother will put her on a ring. Another time I gave him money, which I handed to my mother. But some years have passed since then and I just remember it. Seems like a dream. "
'It is true that you brought to Elizabeth, the salad?"
"Yes, in order of my mother. Lucia was behind me to see if Elizabeth, would have eaten. There were also the Mercury and the Menegota. When they saw that he ate, laughed, all shouting, 'He ate it! has eaten '"
"Do you have any sign of evil?"
"Yes, here on the left shoulder."

were called doctors and Betta Bosin, no effects that the sign: it was a spot the size of a lentil. December 23, 1646 Welcome to the witches said that the oxen have contributed Scarambea Zinevra widow of Valentine and Catherine Chemol Baroni called phytoliths.



December 24, 1646
Lucia Maddalena Andrei denounced as an accomplice, called the Philosopher, and confirmed that the Holy Peterlin is not only a wizard, but the head of the sorcerers, and for this reason is called corporal.
Fortunately, Peterlin has already stopped! The circle of criminals grows ever longer.




Christmas 1646 Christmas should be a joy for everyone. But I'm alone, deprived of family ties by the perfidy of four women cursed. Everything in here seems enchanted the bread I eat, the bed where I sleep in my sleep restless

Continue ... ..

Aa Maglite Led Conversion

Notations of Italian language: the neostandard

Below is the content of the presentation of the lesson of 30 March 2009, the first of the second module with Italian Linguistics Writing Workshop (LM). E 'useful to whom to recover what was lost, and useful to those who had to get an idea of \u200b\u200bthe systematic review we have done in the classroom.

The concept of standard

after World War II in the socio-historical context to note the following changes:
• The transition from a common language with many dialects
• The formation of a real language • The average
development of science and then the dialogue between this language and specialized language media
• Contact with the English and its influence

Italians are often accused of acting in a manner neglected linguistic behavior. Here are the main causes:
neotelevision • The negative effect of trade (in addition to the positive paleotelevisione dissemination of cultural and linguistic)
• The reaction to the prevailing conservative school until the early sixties

What we call "language media can also be called standard language. What does standard language?

oxymoronic concept of flexible stability, according to some linguists, sums up the characteristics of the standard language.

How do I use a standard language?
. Separation (from those who do not have one)
• Unification (including speakers)
• House (as opposed to those who do not have one)
• Reference (ie measure of the lyrics)
• Language selection (material which is / is not is "standard) •
official written language
• Normalization (or not to accept reference forms)

The problem of a standard Italian has been raised several times and at different levels. According to a historical pattern we define at least the following stages:
1304,
Dante, De vulgari eloquentia : He wanted a language distinguished (Mrs), noble (royal) Curial cardinal (hinge)
1525
Bembo, Prose of vulgar language : suggesting to adopt the language of the two crowns (Petrarch and Boccaccio)
Vs
- Machiavelli, which proposed to adopt the most natural live Florentine vernacular
- Trissino he would prefer to build a common language from the vulgar collage of different
1840
Manzoni: it proposes to take educated Florentine contemporary
Vs
Ascoli, which proposed the construction of a standard of speakers from dall'acculturazione

To place a linguistic phenomenon we must consider the following sociolinguistic variables, under which you can also define a standard phenomenon or not. •
diatopically (Lugo)
• diachronic (time) •
diastratic (soco-cultural level of the speaker / writer) •
diamesic (media) •
diaphasic point of wiev (context communication)

Standard and neostandard

There is the concept of "neostandand", in reference to a new Italian that has replaced the standard literary Manzoni? •
Berruto (1987) puts it in a wide variety of literary and spoken
• Sabatini (1985) speaks of the use of Italian medium;
• D'Achille (2003) stresses the novelty of not learned;
• Cortellazzo (2000) recognizes the particular characteristics
• Dardano (2008: 20): "You can not talk about neostandardizzazione if not at the price of a gaze that emphasizes marginal phenomena
• Sobrero (1993) speaks of the use of Italian medium
• Simone (1993) emphasizes textual facts
• De Mauro (1975) puts the relationship with language learning
• Serianni (1989) reflects on the relationship with the linguistic norm

In any case, standards and neostandard
have a ratio of: • Continuity
(continuity syntactic and lexical)
• Discontinuity (fall of the literary model)

neostandard If there is to be positioned in relation to the problem, rather elusive, the variety of Italian. Here are two examples of classification (both good and both non-sufficient):

• • Dialect Dialect-regional
• Italian • Italian regional
common
(Pellegrini 1960)

• Italian •
stately formal scientific Technical
• bureaucratic
• Standard literary
• Neo-standard colloquial

• Speaking • Regional-popular
• Informal neglected •
slang
(BERR 1987)


The general trend of neostandard is as follows: migration phenomena characteristic of spoken>>> make their entry into the>>> wrote

phenomenon characteristic of Italian neostandard

Morphosyntactic Phenomena

Trends specific morphosyntactic phenomena
• Homogenization of the paradigms
• Reduction of irregularities
• Constructs synthetic> analytic constructs ( the girl whose life I have> the girl that I owe my life )

Weather details
- Dislocations (sx.: eat the apple, right.: I eat the apple )
- There is presented ( Marco is looking for you )
- Nominativus pendens ( Franco, who must carry the computer Giel )
- cleft sentences ( in PD is lacking cohesion ) and pseudoscissa ( is this concept that I would pass )
- Construct theme / rheme ( Veltroni, is breaking )
- What polyvalent ( "I want a life that is never too late" )
- Relative weak ( us in that house there is a garden in front )
- ethical dative ( eat me even the fruit )
- conjunctions with the meaning changed and adjustment: so (final); why, how come (question mark)
- Time and verbal ways:
. imperfect (Courtesy: wanted a coffee ; created: let's pretend that you were a bandit ; unreality: asked him if he was at home )
. epistemic future ( will be all at sea, now )
. This pro pro future and future perfect tense ( tomorrow if you have been good, I'll take you to the sea )
. subjunctive indicative pro (I know you're drunk )
- Concordat to sensum: there's a million people taking part in the exodus
- Redundancy pronominal also functional ( "to me made me feel important and they made them feel at the center of a story ")
- Reduction of pronominal paradigms:
. Personal ( he > him )
. clitics ( the, them, there>'s )
. What ...? > What ...?


Lexicon and morphology

Trends specific
- Standardization of the bass register and the jargon ( angry, necessarily, bales, casino )
- Reduction of allotropic ( youth / young )
- Neologisms semantic ( curve of the stadium), tumors ( boat, sandwich ), loans and casts
- replacement. with synthetic forms of analytical

particular phenomena
- Neology combinatorics, especially:
- Suffix-ista ( rowdy )-ism ( rowdy )-tion ( formatting )-ing ( things from messing up),-ize ( berlusconizzare )-able ( retirement), ale ( decision),-eria ( Nutelleria )-ato ( gym )-ino ( phone, face ), zero degree ( restoration, use )
- Prefix (inter-, tele-, para -, mega-, super-, euro-, bio-) with risemantizzazioni ( Converter )
- Polirematiche: Search, barcode, job
- Neology semantic processes of metaphorical extension, metonymy ( navigation computer, x-ray of the situation )
- loanword: anglismi in medicine ( check-up), as well as in finance (leasing ), sport ( pole position), also French, but a few important ( computer, recycling, zero growth )
- Cast
. Homonym ( pressurize> to pressurized )
. Synonyms ( skyscraper> sky-scraper )
- Locations (fixed pairs of lexemes: tilt < mandare)
- Stereo vocabulary (phrases)
- winks (with graphic devices such as quotation marks)


textuality and pragmatic

Trends specific textual and pragmatic
- Simplification syntagmatic (hypotaxis> parataxis)
- and paradigmatic (reduction typological constructs persons: of that, because, in , and coordination: why, when, while, so )
- Style nominal
- Recourse Filming tonic pronominal ( he, she ) in favor of lexical shooting ( encapsulated and paraphrase )

particular phenomena
- Use and abuse of catafora (often with dislocation on the right: them we will soon see the results of the resignation of Veltroni )
- Introduction of an implicit reference text ( on holiday there was this guy who sends us ... )
- anadiplosis with sinon. / wrapper ( promotes Berlusconi style. A style that depopulated Europe Berlusconi ... )
- crushed Style (punctuation strong) and frequent focus (the movement of constituents text)
- Collection par excellence synonymy and (especially in journalistic and political)
- Quotations direct and indirect (advertising, titolistica)
- Percontatio (rhetorical question and the type presented: Walter ? unable A) and other rhetorical questions ( Who said ...? )
- Decline of subordination
- Complements deferred (or independent Robber escapes. With the sheets. )


We propose now an example of text (Ansa-3/09) where many of the phenomena listed in detail can be seen through the living language. Following the analysis.

(ANSA) - ROMA, 17 MAR - Who said that romantic love does not last forever? Instead it is these stories of love those designed to last a lifetime and are those that provide greater satisfaction and happiness' to the report. And 'what emerges from a study of Bianca Acevedo, who now works at the Universita' di Santa Barbara published in the Review of General Psychology. Less satisfactory were the passionate love instead intended to immediately extinguish the fires of straw as well as those relationships where the partner becomes a companion, a friend''and''you lose the signs of affection turned into and friendship. All to say that love with the 'A' capital is consumed after the first reporting period transformed into something less 'neutral', as if the two lovers at one point they were 'sentenced' to get my feet back on the ground. This study of 6070 people instead of the promised'''eternita all'innamoramento. Experts have estimated the degree of satisfaction with the couple's short-and long-term considering three different types of relationship: what they call love, because of intensity 'of feeling, sexual attraction, mutual commitment and promise of the partners, the partnerships that are more like 'to an intimate friendship, the relationship passionate, intense but also obsessive and lacking the security inherent in romantic love. Experts found that partners who feel more satisfaction from the relationship in the long term are those who are involved in a romantic love relationship that also enjoy greater self-esteem and happiness', the passion meets only short-term coexistence and 'friendly' to 'little satisfaction in both the short and long term. It 's not true, therefore, concludes Acevedo, a long relationship that kills love, if love is true.
(ANSA).
17:16 17-MAR-09

For list, following the wording of text, we can observe:
- the presence of a "rhetorical question" who is not, however, a percontatio. (Who said that ...);
- preview pronominal feature of dislocations to the right (... he said that romantic love ...)
- the introduction of an implicit reference text with a focus (precisely these stories with reference to romantic love);
- a phrase pseudoscissa ( these are just ... that ...);
- the lack of recovery pronominal textual typical journalistic style (... report. ... These are the findings);
- a syntactic position (... emerges from a research ...)
- the lack of transparency syntactic ( ... a search for Bianca Acevedo, who now works at the Universita 'di Santa Barbara published in the Review of General Psychology: 1-search 2-White 3-University, 4-S.Barbara, < 1a-pubblicata);
- reducing syntagmatic and paradigmatic of conjunctions (Instead I would rather ... promises ... but ...)
- the use of the conditional characteristic of the information contained in the journalistic style; ( ... would be ...)
- some lexical stereotypes (such as flashes in the pan ... or generic experts, experts have found ... experts have estimated ... ");
- a deal nearly so (... turned into the signs of affection and friendship, where there are no signs to be transformed, but love!)
- the frequent nods expressed by the quotation marks ("friend", "A", "Insane", "convicted", "eternity");
- a fairly typical form of orality (All to say ...)
- a structure of scientific language (Experts have estimated the degree of satisfaction with the couple's short-and Whereas long-term ...)
- not always disambiguate punctuation (you lose the signs of love turned into love and friendship ... ... the partnerships that resemble more ...)
- the ellipses of the second term of comparison (the partnerships that look more ...)
- the presence of crossing between two competing syntactic structures: experience satisfaction with / in / a + Derive satisfaction from (the partner who experience greater satisfaction from the relationship ...) and, to determine a true anacoluthon: Experts have found that patients who are ... + ... those who are also enjoying ... (Experts found that partners who feel more satisfaction from the relationship in the long term are those who are involved in a romantic love relationship that also enjoy greater self-esteem and happiness);
- the use of an elementary syntax (the passion meets only Short-term coexistence and "friendly" gives little satisfaction in both the short and long term).

And now two examples of literary language where some of the phenomena having become aware of brands style:

Luther Blissett, Q, Einaudi, Torino, 2004, Chapter I


almost blindly.
What should I do.
Scream in the ears already smashed by guns, bodies bumping me. Dust and sweat of blood closes the throat, cough me tears.
The eyes of the fugitives: terror. Bandaged heads, mangled limbs ... I continually face: Elias is behind me. Makes its way through the crowd, huge. Magister Thomas carries on his shoulders, inert.
Where is God omnipresent? His flock at the slaughterhouse.
What should I do. The bags, narrow. Without stopping. The dagger is flying on its side. Elias
always behind. A shape
confused runs towards me. Half face covered in bandages, torn flesh. A woman. We recognize. What should I do: the Magister not be found. The grasp: not to speak. Screams behind me - Soldiers! Soldiers!
her away, away, to safety. An alley on the right. Travel, Elias back, headfirst. What should I do: the doors. The first, second, third, open. Inside.
We close the door behind him. The noise drops. The weak light filters through a window. The old woman sits in a corner across the room, on a straw chair half broken. Few poor things: a shabby bench, a table, reminiscent of coals in a chimney fire recently blackened by soot.


A. Baricco, Novecento, Feltrinelli, Milan, 1994, p. 11.


always happened that at some point ... one raised his head and saw. It is a difficult thing to understand. I mean ... we were in more than a thousand on that ship, traveling between rich people and migrants, and strange people, and we ... Yet there was always one, one, one who first saw it .... Maybe that was where he was eating, walking or simply on the bridge ... maybe it was there that he was adjusting his pants ... he raised his head a moment, threw an eye toward the sea ... and saw it. Then he nailed, where he was, was leaving the heart to a thousand, and, again, all the damn time, I swear, again, he turned toward us, toward the ship, to all, and shouting (softly and slowly): America. Then he stood there, motionless as if he had to take a photograph with the face of one who had made him America.

Acrostic Poems About Islam

The textual analysis and structural analysis (according to Roland Barthes)

Below are the contents of the lecture in the laboratory of the Italian linguistic 21/04/2009. The main source is semiological adventure of Roland Barthes (Einaudi).

First, when working in an analytical texts, it is worth asking the following question. Why so much effort?
Here is a good answer:

"When you analyze a text, at any time, we must respond to the impression of evidence, "it goes without saying" what is written. Every sentence, as it may seem futile and normal, must be assessed on its structure through a test of mental switching of the story ... a good analyst must in some sense a countertext imagine, imagine the aberration from the text, what is scandalous narrative ... in this way you will have the courage to accept the often very trivial, heavy and clear analysis. "


Textual analysis and structural analysis are not the same thing. Since we are interested more in the text, however, worth the price of both theoretical framework. We can do this:

• Structural analysis applies primarily to the oral tale (myth)
• The textual analysis applies only to the story written analysis
• The two are not mutually exclusive nor the tools nor the method, can coexist
• It differs radically the end. The search for the structural analysis in relation to a fixed structure of the story grammar (langue). The textual analysis seeks the mobile structure and the explosion and dispersal of the story (words)

But what is, in semiotic terms, the purpose of textual analysis?
Starting from the definition of "significance" that is a root of meaning: ie, text, space, process of meaning at work ... this is the meaning of a text.
That said, the textual analysis does not attempt to describe the structure of a work ... but rather to produce a mobile structure of the text, to remain significant in the volume of the work, and then, precisely in its significance ( words) made of space, etc. processes.


method of textual analysis in a few steps below, lines of text analysis method.

1. Divide the text into numbered lexias

The subdivision should not be based in theory, because we are not in speech and language, we should not expect that there is homology between easy to perceive the meaning and significance ... in short, the frammetazione lexias is purely empirical, driven by convenience

2. We intend to observe the meaning

the connotations of the Lesse, ie the second meaning. They can be associations (physical description> character) or relationships (the result of correlations between distant places even text)

3. Consider the text progressively

Our reading will be in slow motion. We do not aim to reconstruct the structure of the text, but to follow its structure.

4. Forget the meaning

Forget some ways is somehow part Reading: we are interested in starting points of sense, not arrival
... The idea of \u200b\u200bthe combinatorial structure and infinite conjunction of these two postulates is imposed because the language is both structured and infinite.


not relevant in this perspective:
• the author •
its place in literary history,
• the fact that the text is a translation.

There are some elements that Barthes always places great attention. And that is the following: The title


• Each title has two functions: utterances (say) and deictic (points)
• Each title also has a function "aperitif" (the story is a commodity whose supply is preceded by a sales pitch by a security)

Proper names
• "A proper name should always be carefully analyzed, as the proper name is Prince of signifiers, its connotations are rich, social and symbolic "
• The presence of titles (Mr., Dr. etc.) of any kind means to socialize a textual object

unnecessary words (?)
• Some parts of the story serve mainly to "irritate the reader while waiting because of their insignificance
• What relevance has often related to the function aperitif

codes
• The term code should not be understood in the strict sense of the word. The codes are simply associative fields, the codes are types of already-seen, the code is already in the form of this association in the world of writing.
• The cultural codes are the codes of human knowledge: scientific code, rhetorical, chronological, socio-historical.
• The banality of coded notations shall not cause discomfort, it is indeed to make the story readable code

chronological timeline often
• The code provides a pure effect of reality: The number denotes the truth of the matter, what is clear is considered real. • Inserting
deictic shifter or embrayeur

Facts
• The facts are taken into paradigms that are opposed to the sham
• Often a combination of codes was established, for example, that of science (or record) with the enigma police

The "price" of the story
• The price of the story gets more things away dall'ovvietà
• The story of the news and scientific facts are often in exchange for a need for counter-error

I
The recitation of "I" narrator implies

• I • I
vs player you witness a fact vs other players in the history
• I vs. actor other actors

notations metalinguistic
• Announce what follows
• Advertise with value
• Speeches drink a speech on the facility / opportunity to make a speech
• Announcements, summaries, oratorical precautions

Structural analysis: features and general principles of


• It is based on linguistic
• Part of a theory: "a hypothetical model of description
• It is a scientific method" is hardly a method and certainly not a science "
• Covers a cultural language so it is inevitably ideological

General principles of structural analysis

1. Principle of formalization is based on
langue / words Saussure. Every story
apparently heterogeneous mass of short stories is the words. We can not nor should analyze a text in itself. The text is a word that refers to a code. The structural analysis is essentially comparative: looking for the forms, not content.

2. Principle of relevance
As in phonology, what matters is the difference.
The sense is therefore not a full meaning, but a related, connotations. When we analyze a text we must respond to the impression of the evidence.

3. Principle of plurality
The goal of structural analysis is to draw a locus, the locus of the possible text.
sense because plurality is not liberalism or agnosticism philological interpretation: the meaning is the diversity.

method of structural analysis
• Divide in less (arbitrary)
• Inventory codes in the text
• Establish links between units

EXAMPLE OF TEXTUAL ANALYSIS


shadow runs between us

A kind of So the devil is around the city, invisible, and is perhaps in preparation for new blood. The other night we were at the table for lunch when a few houses away a still young woman with an iron bar massacring rival and his three sons. Not a cry was heard. In the apartments were still close, between the clink of cutlery and tired dialogue, family dinners like nothing had happened, and then the lights went out one by one, only that one window was lit in the courtyard on the first floor, and the laggards, rising, thought that perhaps there was a sick child or a mother had stayed up late to work, or other scene, behind those glasses, night of domestic intimacy, and instead there all was silent and motionless, still horribly stones as the four bodies in the smaller sitting on the chair with his head cocked to one side as if to sleep suddenly, and without which the blood now trickles, like octopuses unclean shone less and less to the reflections of the lamp 25 candles, becoming more and more blacks. So the whole town watched, unconsciously, the mother and three children died without the sacrament, abandoned on the cold tiles, in all their bodily misery, until they returned the next day and played the nine there was no mercy to console anyone.
...
D. Buzzati "shadow runs between us," Il Corriere della Sera, 12/03/1946



ANALYSIS


Title Presence of an "us" of embrayage
semantic value of the term "shadow": the important thing is the first way is appealed Fort Rina, had almost lost the semblance of a human being
The use of the verb "turn" opens the semantics of the random field of evil from which no one is safe
Note that the overall title, as often happens, citation, is a cast syntax, almost true parallelism, the incipit of Marx's Capital

Presence of indefinite
"Sort of," "wandering", "invisibility", "maybe" in the first sentence Tresto to give an aura of uncertainty, insecurity. It 's a demon, but it is not. Is around, that moves in a non-specific direction. E 'invisible. We can prepare to shed blood again, but maybe not.

hypotyposis
In contrast to the vagueness of some elements of the first paragraph, a series of very specific elements dot the text hypotyposis. For example, "massacred with an iron bar," or "clink of cutlery and tired dialogue. To give force to the images is also a compact fabric often expressed through metaphorical similarities (note the" octopus the unclean and the baby's head bent "as a sleep onset").


The adjectives adjectives is quite dense, serving first three observations: 28 adjectives on 233 words. Above all, however, is significant often emphatic placement of adjectives: "tired dialogue" and "cold tiles.